At Kylemore Abbey in western Ireland, the presence of pure beauty overwhelms. A mere picture will not suffice; you must draw or write or paint. That’s the idea behind two summer programs that Notre Dame runs at the abbey in the Connemara mountains. The debut of a month-long graduate art residency last summer adds another option on top of a three-credit creative writing seminar that began in 2016. The 19 students spent the first week at the Dublin Global Gateway soaking in the city arts and lit scene, then spent the remainder at Kylemore Abbey, a 19th-century castle where Notre Dame has renovated a section for hosting guests.
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La Donna Forsgren writes because she has something to say — and because the people she writes about had something to say, too. An assistant professor in the Department of Film, Television, and Theatre, Forsgren’s research shines a light on the essential role African American women have played in theatre history. She has written two books on female dramatists in the Black Arts Movement and is now working on a third focusing on women in contemporary black musical theatre.
Acclaimed organist Kola Owolabi will join the faculty of the Department of Music and Sacred Music at Notre Dame this fall as professor of music and head of the Graduate Organ Studio. Owolabi — whose expertise includes a broad range of organ repertoire, composition, choral conducting, church music, and improvisation — will replace Craig Cramer, who is retiring at the end of the academic year.
Pamela Wojcik, a professor in the Department of Film, Television, and Theatre, has been awarded a 2020 fellowship from the John Simon Guggenheim Memorial Foundation in support of her book project, Unhomed: Mobility and Placelessness in American Cinema. Wojcik is among 175 scholars, artists, and scientists to be awarded fellowships this year from a pool of nearly 3,000 applicants. Faculty in Notre Dame’s College of Arts and Letters have won 18 Guggenheim fellowships in the last 20 years.
By the time Conor Hanney ’14 sat down to start his senior thesis for his film, television, and theatre major, he knew exactly what he wanted to do for a living — write for live-action TV targeting the kids and family demographic. And within 16 months of graduation, that’s exactly what he started doing. Hanney, a writer, lyricist, and composer for Netflix, works on various family programming, including the live-action comedy series The Expanding Universe of Ashley Garcia, The Healing Powers of Dude, and Prince of Peoria. He is currently working on the upcoming Kenny Ortega musical series Julie and The Phantoms.
Paul A. Rathburn, a professor emeritus in the Department of English at the University of Notre Dame and founder of the Notre Dame Shakespeare Festival (NDSF), died Wednesday (Feb. 12). He was 85. Rathburn, who joined the Notre Dame faculty in 1965, retired from teaching in 2000. He founded NDSF the same year and served as producing artistic director for its first five years.
Tim Morton joined the College of Arts and Letters faculty last spring as director of the collaborative innovation minor and associate professor of the practice in the Department of Art, Art History, and Design. The minor, which centers on the principles of design thinking as an approach to solving real-world problems, draws students with a wide variety of majors from across the University — with more than 65 students taking the introductory Design Matters course last semester alone.
Nicole Woods, assistant professor of art history at the University of Notre Dame, has been named a 2019 recipient of an Arts Writers Grant. This award is among the highest honors an art historian or critic can receive, and Woods is one of 19 recipients from a candidate pool of more than 800. Woods is an expert in Euro-American neo-avant-gardes, performance and conceptual art, intersectional feminism and taste cultures. Her current research includes a consideration of the widespread use of food as an object of consumption and a form of political critique in the work of several late-20th-century artists.
Mike Schur — creator of The Good Place and Parks and Recreation and a writer and producer on The Office — came to Notre Dame last week to talk to students in the 1-credit The Good Class, which focuses on the philosophy and production of his current NBC show, as well as multiple sections of the God and the Good Life introductory philosophy course.
What is the music major like at Notre Dame? “Music is not only something that is appealing to the ear. There is a very theoretical and systematic aspect,” said music major Kelvin Wu. Music majors pursue their passions while developing skills such as collaboration, musicianship, communication, and critical thinking.
The Notre Dame Shakespeare Festival will host “Shakespeare Around the Bend,” an extension of “Shakespeare at Fremont Park,” from July 31 to Aug. 24.
Naj Harrabi describes himself as someone who needs to create — whether it’s writing stand-up comedy, directing a play on campus, submitting original films in student film festivals, or even designing new courses. “There’s really nothing I can think of that’s pushing me, other than this inner impulse to do it — and that’s the most gratifying thing,” Harrabi said. A 2019 graduate who majored in film, television, and theatre, Harrabi is now headed to the University of Southern California School of Cinematic Arts, where he’ll pursue a graduate degree in film.
What is the design major like at Notre Dame? “If you're creative minded and like solving problems, I would say this is the perfect major for you,” said industrial design major Alexis Dorsey. Design majors pursue their passions while developing skills such as critical and analytical thinking, research, ideation and implementation, and visual literacy.
Hesburgh, a critically acclaimed documentary to be released nationwide on May 3, tells the story of Rev. Theodore M. Hesburgh, C.S.C. — reaching far beyond the borders of the Notre Dame campus to tell an epic American saga. But the making of Hesburgh is very much a Notre Dame story. Documentary filmmaker Patrick Creadon ’89 has a history of hiring Notre Dame students and alumni — and sought out no less than 19 of them to help create Hesburgh.
“If you can be a strong organist and lead hymns from the keyboard, you can do it all as a church musician,” said Michael Emmerich, ’12 M.S.M. Emmerich is the associate music director for the Archdiocese of Omaha with a particular focus and mission for rural music ministry. He travels the archdiocese to bolster musical and liturgical literacy among the parishes in rural communities.
Growing up in southern California, Jennifer Sharron Richardson ’01 knew she wanted to go into the entertainment industry. But she had no idea she would one day be co-executive producing an award-winning late night talk show like Jimmy Kimmel Live!. It took a Notre Dame liberal arts education, a passion for softball, and a little luck to get her there.
Like the character he created, Jorge “Jay” Rivera-Herrans is exuberant and tenacious, but no one could mistake him for a cop out. A junior film, television, and theatre major, he has written the book, lyrics, and music for a new musical — Stupid Humans, which opens Thursday and runs through March 3 — and is also playing the leading role.
Music theory and performance are often thought of as separate — you study the structures and history of music, or you master an instrument or your own voice. For Andrew White ’12, a doctoral student at the University of Chicago who studies how pianists practiced their instrument in the 19th century, putting the two together is “very intuitive.” White was able to make the two work in tandem as a Notre Dame undergraduate, where the Department of Music offers a unique blend of music performance and theory.
Rita Moreno will speak at 5 p.m. Feb. 21 in the Leighton Concert Hall at the DeBartolo Performing Arts Center. The is a free but ticketed event and is open to the public. Moreno — an American actress, dancer and singer of Puerto Rican descent — is the first and only Latina to win an Emmy, Grammy, Oscar and Tony (EGOT), and she will be the special guest of Notre Dame’s Institute for Latino Studies next month as part of its Transformative Latino Leadership Lecture Series.
An annual launching pad for student filmmakers as they begin their careers in the film, television, and entertainment industries, the Notre Dame Student Film Festival screens films that were made by undergraduate students during the past year as class projects in the Department of Film, Television, and Theatre.
Sophia Bevacqua ’17, an art history major now serving a five-year fellowship at the Vatican Museums, works with seven laboratories dedicated to preserving and restoring the site’s vast collections. She works with the laboratories to determine which works of art will be restored, which methods will be used to do the work, and how much each project will cost. She then works to match upcoming restoration projects with benefaction from the museums’ pool of approximately 2,400 donors.
The University of Notre Dame Children’s Choir will perform with award-winning jazz trumpeter, pianist and composer Arturo Sandoval at the Walt Disney Concert Hall in downtown Los Angeles, Calif., in support of his new album, “Arturo Sandoval’s Christmas at Notre Dame.” The Notre Dame Children’s Choir is joined by Notre Dame students Emily Swope, a soprano and masters student in voice, and senior music major Alexander Mansour, a pianist and arranger of seven songs on Sandoval’s album. The ensemble is led by Mark Doerries, associate director of Sacred Music at Notre Dame.
Julia Steiner ’14 writes songs and plays them in a Chicago-based rock band called Ratboys. She grew up in Louisville, Kentucky, before attending Notre Dame, where she graduated with a degree in English. During her third year at the University, Steiner studied abroad in Dublin and attended Trinity College. She returned in summer 2014 to intern in the sports department at RTÉ, Ireland’s National Broadcaster. Here, Steiner reflects on her time in Dublin and the influence it had on her music.
Ailbhe Darcy’s new volume of poetry, Insistence, has been shortlisted for the prestigious T.S. Eliot Prize in Poetry. Darcy, who now lives in Wales, received an MFA in creative writing from Notre Dame in 2011 and a Ph.D. in English with an Irish studies graduate minor from the University in 2015. A poet, critic, and professor, she teaches contemporary Irish poetry and literature at Cardiff University.
Joseph Antenucci Becherer, the founding director and curator of the sculpture program at Frederik Meijer Gardens & Sculpture Park in Grand Rapids, Michigan, has been appointed the new director of the Snite Museum of Art at the University of Notre Dame. He will lead a staff of 16 responsible for exhibition development and educational programs that serve Notre Dame students and faculty as well as thousands of primary and secondary school students. He also will play a major role in helping design the University’s new Raclin Murphy Museum of Art at Notre Dame, scheduled to open in 2021.
An internationally acclaimed jazz and classical musician and composer, Arturo Sandoval has received 10 Grammy Awards, six Billboard Awards and an Emmy Award and is a 2013 recipient of the Presidential Medal of Freedom, this nation’s highest civilian honor. Sandoval will headline a festive Christmas in September event featuring the Notre Dame Children's Choir, Notre Dame Symphonic Winds, and the Notre Dame Jazz Ensemble. His album Arturo Sandoval's Christmas at Notre Dame, recorded last year in the Leighton Concert Hall, will be released Sept. 28.
Notre Dame has launched an interdisciplinary minor in musical theatre — a collaboration between the Departments of Music and Film, Television, and Theatre — which can be customized for students interested in performing, songwriting, directing, conducting, or scholarship. The program begins at a time when dramatic, music-based performances are thriving on campus, including Opera Notre Dame’s recent productions of Mozart’s Die Zauberflöte and a world-premiere operatic version of As You Like It as well as FTT musicals such as Cabaret and Little Shop of Horrors.
Honoring the legacy of Maria Irene Fornés, mother of Latinx theatre, the annual Fornés Playwriting Workshop aims to pass Fornés’ unique writing style on to a new generation of Latinx theatre artists. Conceived by Anne García-Romero, an associate professor in Notre Dame’s Department of Film, Television, and Theatre, this weeklong workshop in Chicago brings together 14 writers from across the country to work intensely with award-winning playwright and Fornés protégé Migdalia Cruz.
When Kacey Hengesbach began her undergraduate career at Notre Dame, she didn’t imagine that it would include traveling 8,000 miles to Ahmedabad, India. But thanks to a new course created by Neeta Verma, she had the chance to spend three weeks there last summer, working collaboratively with students from India’s National Institute of Design. Hengesbach and the other students in Verma’s Social Design course continued their partnership with the NID students throughout the fall semester, hosting them for a two-week visit to Notre Dame in September and communicating via Skype and email for the remainder of the course.
When Sydney DeVoe came to Notre Dame, she was convinced she would be pursuing a career in broadcast journalism. But after various, wide-ranging internships at 21st Century Fox — focused on production, editing, marketing, finance, and legal work — and a valuable experience working in London with a Member of Parliament her junior year, DeVoe is encountering a problem that many students may envy. She has too many career paths she could pursue after graduation.