For 75 minutes every fall Tuesday afternoon, junior Grace Ryan steps, slides, marches, smiles, and laughs. The business analytics major who’s pursuing a career in aerospace was hesitant to sign up given her already busy schedule, but she eventually agreed to try it out. Now she’s hooked — and that combination of having fun while becoming proficient in Irish traditions is exactly why the Department of Irish Language and Literature began offering 1-credit old-style Irish dancing course and tin whistle courses this year.
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An annual launching pad for student filmmakers as they begin their careers in the film, television and entertainment industries, the Notre Dame Student Film Festival screens films that were made by undergraduate students during the past year as class projects in the Department of Film, Television and Theatre.
When Reginald Dwayne Betts hears the word prison, his first thoughts aren’t about violence or distance or time — he thinks about books. Betts, an artist-in-residence at the Notre Dame Institute for Advanced Study and the Notre Dame Initiative on Race and Resilience, was sentenced to nine years in prison as a 16-year-old. It was there that a book, slid under the door of his cell, changed the course of his life. Now an acclaimed poet, graduate of Yale Law School and 2021 MacArthur Fellow, Betts presented the debut of his solo show Nov. 17 and 18 in the Regis Philbin Studio Theatre at the University of Notre Dame’s DeBartolo Performing Arts Center.
Amidst all the anxiety and upheaval created by the coronavirus pandemic, Opera Notre Dame faced a difficult and unique dilemma. How do you give a voice to voice students when their foremost skill — singing opera — poses a potential health risk to others? As uncertainty reigned, they got creative — to make an opera production that was artistically meaningful, educationally rich, and as safe as possible, they made a movie. Please Look: A Cinematic Opera Experience premieres this week at the DeBartolo Performing Arts Center’s Browning Cinema.
Nicole Woods, a Notre Dame assistant professor of art history, has received the Leonard A. Lauder Visiting Senior Fellowship from the Center for Advanced Study in the Visual Arts, a world-renowned institution that brings scholars to Washington, D.C. She will spend much of the spring semester in the nation’s capital, working in the archives of the National Gallery of Art as well as the Smithsonian and the Library of Congress. Woods is studying the paintings of Bob Thompson, an African American painter from Kentucky who ran in the Beats' social circles in Greenwich Village after World War II.
Reginald Dwayne Betts, the current artist-in-residence at Notre Dame’s Institute for Advanced Study and the Initiative on Race and Resilience, has been named to the 2021 John D. and Catherine T. MacArthur Foundation Fellowship Class. Betts is one of 25 fellows to be selected for the honor, commonly known as a “Genius Grant,” which aims to recognize “talented individuals who have shown extraordinary originality and dedication in their creative pursuits and a marked capacity for self-direction.”
Art history majors at Notre Dame pursue their passions while developing skills such as visual literacy, analysis, communication, and information synthesis. "Art history helps us gain a better understanding of the world in today's visual culture," said Cruz Martinez. After graduation, students go on to top graduate and professional schools and work in a variety of professions and industries. “It's very much about storytelling," said art history major Meg Burns. “That's really what drew me to art history and continues to really excite me about coming back to the subject every day.”
What is the studio art major like at Notre Dame? "It's so supportive," Mallory Spiess said. “There's a whole different environment when you're surrounded by a lot of other creators and artists and designers." In studio art, you'll begin with required courses in drawing, 2D and 3D foundations, and art history, and then choose one of five concentrations. Majors pursue their passions while developing skills such as creativity, comfort with ambiguity, empathy, and communication.
In April 2021, scholars of the Italian master Raphael came together in a virtual symposium, celebrating and discussing “The Afterlife of Raphael’s Art, from His Century to Ours.” The event, co-sponsored by the University of Notre Dame School of Architecture, the Rome Global Gateway, the Nanovic Institute for European Studies, and the American Academy in Rome, marked, after a one-year delay, the 500th anniversary of Raffaello Sanzio da Urbino’s death on April 9, 1520. Led by scholars from the United States and Europe, the symposium explored the afterlife of Raphael’s achievement, which redefined art in Renaissance Italy and had an almost peerless influence on modern art in the centuries that followed.
In the midst of the coronavirus pandemic, Matt Hawkins wanted to teach his students the value of resilience — and the power of performance art. At a time when nearly all live theatre has been suspended for more than a year, Hawkins found a way to safely bring back the musical his students had spent months planning for and rehearsing during spring 2020. Last month, he directed a performance of Jesus Christ Superstar at Notre Dame Stadium, featuring most of the original cast.
“Since its founding, Notre Dame has valued the vital role the visual arts play as an expression of human creativity, religious experience and insight into the human condition,” University President Rev. John I. Jenkins, C.S.C., said. “By bringing the collections currently in the Snite Museum of Art to new life in the Raclin Murphy Museum, we will be able to share these treasures in all their richness with our University community, our neighbors in the region and the wider world.”
A new installation by Sacred Music at Notre Dame’s Concordia choir is currently set up in the O’Shaughnessy Great Hall and accessible through May 20. Featuring 16 speakers arranged in a surround-sound pattern, each playing the voice of one singer, listeners are able to stand in the center of the room and feel as if they are on stage, or walk around the room to hear each voice in isolation. Each song represents a unique perspective from which to view the pandemic — with enough variety that a listener could find their own meaning in the pieces.
The Department of Film, Television and Theatre (FTT) will produce † on the field of Notre Dame Stadium at 8 p.m. Friday, April 9. Tickets are free and available only to students, faculty and staff with a Notre Dame, Saint Mary’s or Holy Cross ID. FTT had planned to put on the production last April, but the pandemic prevented that from happening.
Joyelle McSweeney, a Notre Dame professor of English and Creative Writing Program faculty member, has been named a finalist for the Kingsley Tufts Award, a prominent prize honoring work by a mid-career poet. The honor comes in recognition of McSweeney’s double poetry collection Toxicon and Arachne (Nightboat Books, 2020) — the first part written in the years leading up to the birth of her third daughter, Arachne; and the second part written in the spring following Arachne’s brief life and death.
The Notre Dame London Global Gateway, along with partners from the United Kingdom and the University of Notre Dame campus, is launching a year-long exploration of Shakespeare. Professor Peter Holland will kick off this ThinkND series offering the 10th annual Notre Dame London Shakespeare Lecture in honor of Professor Sir Stanley Wells at 1 p.m. EDT April 7 on Zoom. Holland, the McMeel Family Chair in Shakespeare Studies and associate dean for the arts, will present “On the Shakespeare Trail,” exploring an often overlooked area of Shakespeare marketing — the film and theater trailer. Holland will explore how trailers conceptualize and lure audiences into watching on-screen and live versions of Shakespeare's plays.
The musical production My Heart Says Go has come a long way since Jorge “Jay” Rivera-Herrans ’20 began writing it in his dorm room at the University of Notre Dame. Rivera-Herrans had recently switched majors – from pre-med to film, television, and theatre (FTT) – and that became his inspiration for the production. But going from concept to a fully developed musical has been a winding journey.
When Veronica Mansour landed her first role in musical theater as Marcie in It’s the Great Pumpkin, Charlie Brown at age 8, she never imagined she would one day write a musical of her own. She still has trouble believing it now. A senior English and music major with a minor in musical theatre, Mansour spent last semester workshopping her original musical, An Old Family Recipe, which will be filmed over the course of a few weeks and released to the public in a live-streamed opening night this spring.
Azareen Van der Vliet Oloomi is an associate professor in the Department of English, director of the Creative Writing Program, and the author of the novel Call Me Zebra, winner of the PEN/Faulkner Award for Fiction. In this interview, she discusses how her writing examines how patterns of migration have shaped literature, how history imprints itself on physical landscapes, and her new novel, Savage Tongues, which looks at questions of nationhood, identity, memory.
“Music just really speaks to me. I feel like I'm at my happiest when I'm making music or thinking about music,” said Kola Owolabi, professor of organ at the University of Notre Dame. Owolabi is interested in a broad range of musical repertoire and enjoys finding works by less well-known composers. Recent recording projects include pieces by 20th-century African-English composer Samuel Coleridge Taylor, as well as a composition by 17th-century French composer Georg Muffat.
Sophomore Mariko Jurcsak remembers the moment she became hooked on ancient history. She was in her high school Latin class, reading a poem by the Roman poet Catallus about the death of his brother, when her teacher shared that he had connected with the poem after his own brother had passed away. Connecting with history on the basis of shared humanity gave Jurcsak a new perspective on the subject — and inspired her to major in Greek and Roman civilization in the Department of Classics.
Joy Harjo, the 23rd poet laureate of the United States and the first Native American to hold the position, will speak at Notre Dame on Monday, Feb. 22 at 7 p.m. The online event is free and open to the public, but registration is required. An Evening with Joy Harjo is presented by Multicultural Student Programs and Services, the new Notre Dame Initiative on Race and Resilience, and the Native American Student Association of Notre Dame.
The University of Notre Dame has received a five-year, $2.4 million grant from Lilly Endowment Inc. through its Religion and Cultural Institutions Initiative to implement Inspiring Wonder: An Initiative on Religion, Spirituality, and Faith in the Visual Arts. Designed to invite diverse audiences into meaningful conversation, Inspiring Wonder will significantly advance the Snite Museum’s efforts to deepen its constituencies’ understanding of religion, spirituality and faith in a deliberate and mission-driven way.
Neeta Verma’s teaching and research examines a range of social inequities facing the local community — including homelessness, poverty, and the digital divide. But the issue she finds most pressing is youth violence — and she believes that art and design can play a key role in breaking its vicious cycle. With a grant from the Jessie Ball duPont Fund, she is launching a two-year project that will use community-designed public art installations and youth programming to address this systemic problem.
La Donna Forsgren, an associate professor in the Department of Film, Television, and Theatre, has won the American Society for Theatre Research's Oscar G. Brockett Essay Prize. The award, given annually to the best essay of theatre research in a scholarly English-language publication, honored Forsgren’s “The Wiz Redux; or Why Queer Black Feminist Spectatorship and Politically Engaged Popular Entertainment Continue to Matter,” which appeared in Theatre Survey. She was also appointed this month as associate editor of Theatre Survey, which will lead to her becoming editor of the journal in two years.
While early modern artist Giovanni Battista Piranesi has been principally known for his drawings and etchings of ancient Rome, new research from Heather Hyde Minor, a Notre Dame professor of art history, reinterprets Piranesi’s artistic oeuvre by flipping the works over and reading what is written on the backs. Minor’s Piranesi Unbound, examines nearly 200 of Piranesi’s engravings and drawings. The research, recuperative in method, serves as a biography of Piranesi’s books, bringing text and image together to reveal a learned mind alive with biting wit and unflinching big-picture questions.
La Donna L. Forsgren is an associate professor in the Department of Film, Television, and Theatre; concurrent faculty in the Gender Studies Program; and affiliated faculty in the Department of Africana Studies. Her latest book, Sistuhs in the Struggle: An Oral History of Black Arts Movement Theater and Performance, is the first oral history to fully explore the contributions of Black women intellectuals to the Black Arts Movement.
A digital image of a famous piece of art doesn’t tend to stir the soul in the same way as looking at it while standing in the same room. The context matters. Notre Dame theology and psychology faculty will extrapolate on that idea thanks to a $230,000 grant from the Templeton Religion Trust for an 18-month research project exploring the ways in which viewing art informs and enhances spiritual growth and how that changes based on time and place. The researchers will focus on two sets of religious art on the Notre Dame campus — The Stations of the Cross by Luigi Gregori in the Basilica of the Sacred Heart, and The Life of Christ/Cycle of Life by Philip Rickey in the Charles B. Hayes Family Sculpture Park.
As with so much of life during the coronavirus pandemic, Notre Dame Stadium is operating under "business as unusual" — with choir rehearsals taking place in the Leahy Gate, near the south endzone. “Before now, the gate had been just a passageway and the only way to get from the first floor of O’Neill to other buildings,” said Mark Doerries, director of graduate studies and head of the graduate choral conducting program for Sacred Music at Notre Dame. “But now it holds rehearsals, classes and study space — a living incubator of music and teaching.”
At Kylemore Abbey in western Ireland, the presence of pure beauty overwhelms. A mere picture will not suffice; you must draw or write or paint. That’s the idea behind two summer programs that Notre Dame runs at the abbey in the Connemara mountains. The debut of a month-long graduate art residency last summer adds another option on top of a three-credit creative writing seminar that began in 2016. The 19 students spent the first week at the Dublin Global Gateway soaking in the city arts and lit scene, then spent the remainder at Kylemore Abbey, a 19th-century castle where Notre Dame has renovated a section for hosting guests.