Soprano Kiera Duffy, recently appointed as head of undergraduate voice studies in Notre Dame's Department of Music, will make her debut with the Berlin Philharmonic in late January 2018 in Ravel's opera L'enfant et les sortilegès. The Berlin Philharmonic is consistently rated among the preeminent orchestras in the world.
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Longtime philanthropists in the greater South Bend community — Ernestine Raclin and her daughter and son-in-law Carmen and Chris Murphy — have made a lead gift to the University of Notre Dame for the construction of a new community asset, the Raclin Murphy Museum of Art at Notre Dame.
Notre Dame junior Alex Mansour admits he's not much of a sports fan. Yet, when confronted with a crunch-time challenge, he came through with a prime-time performance befitting any Irish athlete making a game-winning play. Mansour's assignment? Create the musical score for the 80-second video that would be shown on the Notre Dame Stadium video board just before the Irish team took the field. Three days before the 2017 Irish season opener against Temple, the video remained incomplete — and Mansour was on the spot.
The University of Notre Dame’s Robinson Community Learning Center hosted a celebration Thursday, October 26, commemorating the Robinson Shakespeare Company’s summer trip to England where members had the opportunity to study the renowned playwright and his works in his place of birth.
Informally, the 175-seat LaBar Family Recital Hall inside Notre Dame’s O’Neill Hall is known as the “jewel box” because of its elegant, classic design and intimate size. But in fact, all of O’Neill Hall is a jewel box — expertly and beautifully designed as a home to the students and faculty, the artists and instruments in the University’s Department of Music and Sacred Music at Notre Dame (SMND) program. The 100,000-square-foot, seven-story building on the south side of Notre Dame Stadium was made possible by a gift to the University from Helen Schwab and her husband Charles, in honor of her brother, Notre Dame alumnus and trustee Joseph I. O’Neill III.
“People think that if you are given a problem, that you can have a successful outcome. However, what if you were solving the wrong problem?” asked Scott Shim, professor of industrial design at the University of Notre Dame. Shim’s research is in contextual application of design thinking, examining all the components of a specific problem by conducting in-depth studies of users, environments, and circumstances. His primary method of research is “co-creation,” where end users are directly engaged in the design process. Shim will invite participants to build with Legos or re-enact certain scenarios in order to develop new ideas.
Alexis Belis ’00 arrived at Notre Dame with a plan. Following in her father’s footsteps, she was ready to major in physics, tackle the requirements for medical school, and become a doctor. She nearly missed her true calling. Today, she curates ancient art at the Getty Museum in Los Angeles.
Notre Dame’s Department of Film, Television, and Theatre (FTT) announces four productions for its 2017-18 theatre season, with two comedies, including the beloved The Importance of Being Earnest; an absurdist classic relevant to the current political climate; and the Tony Award-winning musical Spring Awakening.
The University of Notre Dame will premiere Sorin: A Notre Dame Story, a one-person play about the life and work of the University’s founder, Rev. Edward Sorin, C.S.C., on Aug. 30 (Wed.) at 6:42 p.m. in the Patricia George Decio Theatre of the DeBartolo Performing Arts Center. This production celebrates the 175th anniversary of the University through the collaborative creative work of four notable alumni of Notre Dame's College of Arts and Letters: director Patrick Vassel '07, playwright Christina Telesca Gorman '91, performer Matthew Goodrich '09, and projection designer Ryan Belock '11.
Enlightening. Enriching. Challenging. Sacred. Through the arts, you can find inspiration. Broaden understanding. Build community. And make a difference in the world. Notre Dame is home to a vibrant arts community with world-class facilities, internationally renowned faculty and visiting artists, and remarkable student engagement.
The largest construction project in the 175-year history of the University of Notre Dame – an 800,000-square-foot integration of world-class space for teaching, research, performances, faith, multimedia, student life and athletics – is nearing completion, with several components now open or opening over the next two weeks and most of the other facilities ready for occupancy in January. The buildings include the new homes of the Deparment of Anthropology, Department of Psychology, Department of Music, and Sacred Music at Notre Dame.
The University of Notre Dame has received a $1.6 million grant from Lilly Endowment Inc. to support the Sacred Music at Notre Dame (SMND) program and its transformative work with graduate students and the community. This is the program’s second grant from the Lilly Endowment — a private, philanthropic foundation that supports the causes of religion, education, and community development — following a $1.9 million grant in 2012 that helped launch SMND.
Erin Rice ’17 has been named one of the top five graduating industrial design students in the nation by the Industrial Designers Society of America. Rice is the seventh student in the last 10 years from Notre Dame’s College of Arts and Letters to win the Student Merit Award at IDSA’s Midwest District Design Conference.
One of the most innovative and new pieces of popular culture emerged in 1914 when Winsor McCay, a famous cartoonist and vaudeville performer, incorporated an animated cartoon called Gertie into his act. Despite its popularity at the time, the original film and the paper drawings for it have all but been forgotten over the past 100 years. But now, faculty members in Notre Dame's Department of Film, Television, and Theatre are working to change that by collaborating internationally to restore the film and to research the history surrounding its cultural impact.
Brian Edlefson, a Notre Dame assistant professor of visual communication design, has won a prestigious international award for his design work showing how people can adjust their office furniture to shape their work environments. Edlefson won an iF Design Award for user adjustment information he created for furniture maker Herman Miller. Edelfson’s design was selected by a 58-member jury of the iF International Forum Design in Hannover, Germany, from more than 5,500 entries submitted from 59 countries.
The first Notre Dame App Challenge concluded with presentations by each of the four final teams to the judging committee and the public in Mendoza’s Jordan Auditorium on campus. South Bend City Connect, an app aimed at reducing the additional cost of poverty for South Bend residents, took the top prize of $7,500. The idea for the app was created by graduate students Miriam Moore and Robbin Forsyth, who are both pursuing Master of Fine Arts (MFA) degrees in design.
Kiera Duffy, associate professor of the practice in Notre Dame’s Department of Music, recently received the 2017 Hunt Family Award for Emerging Artists from New York’s Lincoln Center for the Performing Arts. The award honors the soprano’s outstanding artistry and promising future. “Lincoln Center has such meaning in my life — as it does for every classical musician. It is the cultural hub of North America,” she said. “So for Lincoln Center to honor what I’m doing is very humbling and a lovely validation.”
Notre Dame associate professor Heather Hyde Minor specializes in the history of European art and architecture from 1600 to 1800. Her current research project examines the life of Johann Joachim Winckelmann, an 18th-century German art historian and archaeologist whom many consider to be the founder of the modern discipline of art history.
Peter Holland, the College of Arts and Letters’ associate dean for the arts and the McMeel Family Chair in Shakespeare Studies, has been named chair of the International Shakespeare Association. Holland, a professor in the Department of Film, Television, and Theatre, was selected by the association’s executive committee from candidates nominated worldwide for the prestigious position. The association, based in Stratford-upon-Avon, England, the birthplace of Shakespeare, seeks to further the study of the playwright’s life and to connect Shakespeareans and Shakespeare societies around the world.
Barry Lopez’s work has taken him to more than 80 countries over the past 50 years, including some of the most inhospitable places on earth. But on March 9, Lopez is coming home to his alma mater to discuss a topic both timely and close to his heart: the writer’s role in engaging the public on environmental issues.
Senior Dan Lopes’ project “Scoop Pet Food Dispenser” received a third-place award, and senior Erin Rice’s project “Lead Animal Control Cage” received honorable mention.
The gift was made to the University by Helen Schwab and her husband, Charles, in honor of her brother Joe O’Neill. O’Neill Hall joins Corbett Family Hall and the Duncan Student Center as the three structures surrounding Notre Dame Stadium, and will be a six-story, 100,000-square-foot building for the Department of Music, the Sacred Music at Notre Dame program, and hospitality space, with completion scheduled for August.
An interdisciplinary team of four Notre Dame students won second place Friday (January 27) in the Walt Disney Imagineering Imaginations Design Competition. Mark Davidson, Jessica Klouda, Erin Rice, and Madeline Zupan were honored for their project, “The Spirit of the Isle,” a manmade island where guests enter from behind a waterfall to experience an engaging amphitheatre, explore sweeping terraces, or venture into a cave beneath the falls, which can double as an ice-skating rink in winter.
Assistant Professor of Music Composition and Theory John Liberatore—who was recently awarded a prestigious fellowship from the MacDowell Colony— has been awarded a second fellowship from the Millay Colony for the Arts.
Beginning Monday (Jan. 16), the University of Notre Dame will host a series of events to mark both Martin Luther King Jr. Day and Walk the Walk Week. The observances celebrate the diversity that currently exists on the University’s campus and offer an opportunity to reflect on how each member of the campus community can take an active role in making the University more welcoming and inclusive.
Even during fall break, College of Arts and Letters students were hard at work. They toured Latin America to perform sacred music. They gathered to collaborate on senior thesis projects and dissertations. And they traveled to major cities across the U.S. to explore career options and network with Notre Dame alumni.
The nominations have been revealed for the 2017 Grammy Awards and the Department of Music’s artist-in-residence Nathan Gunn has been nominated, in the category of Best Opera Recording, for the recording of Jennifer Higdon’s opera Cold Mountain.
Stephen Lancaster, an associate professor of the practice in voice in the University of Notre Dame’s Department of Music and Sacred Music at Notre Dame program, has been awarded the 2016 American Prize in Vocal Performance. Lancaster, who is also head of the graduate studio in voice, won the prize for the men in art song and oratorio, professional division.
A unique collaboration between the Notre Dame Children’s Choir and a Sacred Music at Notre Dame graduate student aims to invigorate ancient pieces of music and make them more accessible and enjoyable for modern audiences. Released by the Dynamic Catholic Institute, O Emmanuel is already attracting attention, debuting this week at No. 1 on Billboard’s traditional classical albums chart and No. 3 on the classical albums chart. A review in Catholic World Report described it as “the best jazz infusion into contemporary Christmas music since Charlie Brown’s Christmas.”
Christmas nativity scenes recreated by cultures from around the world are on display in six Notre Dame campus buildings through Jan. 31, 2017. The third annual International Crèche Exhibit and Pilgrimage features 30 crèches on loan from the Marian Library at the University of Dayton. The exhibit is sponsored by the McGrath Institute for Church Life.