“I liked the opportunity design gave me to be creative and to be a problem-solver and to think about problems logically,” says Brandon Keelean ‘13, a design major in Notre Dame’s Department of Art, Art History, and Design.
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The voices of 40 children will be added to the University of Notre Dame’s internationally renowned choirs this fall.
Whether we’re driving down the highway, scrolling our Facebook newsfeeds, or flipping through television channels, various forms of animation bombard us constantly. “Even if you don’t watch television, you see these images on your phone, your iPad, even billboards when you drive down the road,” says Donald Crafton, the Joseph and Elizabeth Robbie Professor of Film, Television, and Theatre at Notre Dame.
“We study not only the pieces of music that these composers wrote but where they grew up, who they learned music from, and how previous composers influenced the type of music that they wrote,” says Samantha Osborn, a music major in Notre Dame’s College of Arts and Letters. “You really can’t understand a piece of music until you understand the history, politics, art—all of the influences that helped create that piece of music.”
“Being a film major, I knew I wasn’t going to be constricted to one way of learning or one way or thinking or one way of performing,” says Zuri Eshun, a junior film, television, and theatre (FTT) major in Notre Dame’s College of Arts and Letters. “You really get the opportunity to be your own person and to create your own education within that program. That’s why I chose FTT.”
Notre Dame senior Alisa Rantanen has been named the Midwest District Merit Award winner, ranking her one of the top five graduating industrial design students in the nation. Her work will be showcased at the Industrial Designers Society of America’s (IDSA) international conference in Chicago August 21-24.
Design students at Notre Dame now have a new place in which to learn, create, and collaborate. The recently refurbished West Lake Hall is now fitted with dynamic classroom spaces, computer labs, offices, and display areas for the graphic and industrial design programs in the College of Arts and Letters.
What role should government play in society? In religion? These enduring questions are at the heart of Opera Notre Dame’s upcoming performance of The Dialogues of the Carmelites, April 25-28 at the DeBartolo Performing Arts Center.
The 2013-14 season of the University of Notre Dame’s Department of Film, Television and Theatre will feature four plays, beginning in October with On the Verge. The three remaining plays are Cabaret, November 13-17; Clybourne Park, February 20-March 2; and Blood Wedding, April 9-13, 2014.
Finding and publishing long-forgotten musical compositions by classical composers is usually a project reserved for Ph.D. and master’s students. But don’t tell Samantha Osborn that. Last summer the Notre Dame music and pre-med major spent two weeks in Rome at the Conservatory of Saint Cecilia, where she was able to locate and duplicate eight of Baroque composer Alessandro Scarlatti’s handwritten cantatas. She will perform one of them this spring as part of her senior thesis recital.
The University of Notre Dame will celebrate Valentine’s Day with the fourth annual SonnetFest—a communitywide public reading of Shakespeare’s 154 sonnets as interpreted by members of the Notre Dame and Michiana communities. The event will be streamed live online for the first time this year at www.shakespeare.nd.edu.
The Winston Churchill Foundation of the United States has selected MurphyKate Montee as a Churchill Scholar for the academic year 2013-2014. Montee, a senior mathematics and music (voice) double major in the Glynn Family Honors Program, is one of just 14 students in the United States to receive this honor.
Thirteen design majors in the University of Notre Dame’s Department of Art, Art History & Design used their fall break to engage the local community with a “social design blitz.” In a single week, the students brainstormed, conceptualized, created, and exhibited three public, interactive art projects designed to help bridge the gap between downtown South Bend and the Notre Dame campus.
“It’s all I’ve ever dreamed about,” says Deborah Mayer. “I can’t think of any young, American, soprano who didn’t dream of singing at the Met. Now I can die happy.” Mayer, a vocal instructor for the Department of Music in Notre Dame’s College of Arts and Letters, will make her debut with the Metropolitan Opera this spring in the role of Gerhilde in Richard Wagner’s opera, Die Walküre; part of the Met’s revival of Wagner’s epic, four-part Ring cycle directed by Robert Lepage, and conducted by Met Principal Conductor Fabio Luisi.
The 24th annual Notre Dame Student Film Festival, presented by the University’s Department of Film, Television, and Theatre, will take place January 24 to 26 (Thursday through Saturday) in the Browning Cinema at the DeBartolo Performing Arts Center.
Sacred music has the power to enrich and inspire entire communities. And with the support of a Lilly Endowment grant of $1.9 million, Sacred Music at Notre Dame (SMND) is now poised to help congregations across the region renew worship practices and enliven musical expression to engage people more deeply, across the generations.
A unique event in November 2012 brought together ND students, faculty, and other members of the campus community who love the Italian language, the poet Dante, and his immortal poem, the Divine Comedy.
Sacred music is foundational to many of the world’s artistic traditions, and this is especially so when it comes to Western music. It is also an artistic—and academic—area that continues to grow and develop. To celebrate and promote this diverse and vibrant art form, the University of Notre Dame is launching a Doctor of Musical Arts (DMA) program with majors in organ and choral conducting, beginning in fall 2013.
The recent discovery of a previously unknown musical manuscript by Ludwig van Beethoven provides a glimpse of the composer at work on a medieval hymn he would already have known quite well, according to Peter Jeffrey, Michael P. Grace Professor of Medieval Studies in the University of Notre Dame’s Department of Music. Beethoven’s manuscript was an arrangement of the Gregorian chant “Pange Lingua,” a hymn often sung in Catholic liturgies during Holy Week.
Networking with industry insiders, watching highly anticipated films, walking the red carpet, and seeing stars was all part of the job for a group of University of Notre Dame students who jetted off to the 2012 Cannes International Film Festival this summer. Working with Assistant Professor Aaron Magnan-Park, the students from the Department of Film, Television, and Theatre (FTT) were granted the exclusive right to make a documentary about the internship program at the festival’s American Pavilion—an opportunity that provided a rare, behind-the-scenes look at the premier event in international film.
In Performance Analysis, a Notre Dame theatre course taught by Anton Juan, senior professor of directing and playwriting in the Department of Film, Television and Theatre (FTT), this fall, majors from a cross-section of the FTT’s disciplines are guided to the sources of performance. It’s more than just “What’s My Motivation 101.” The goal, says Juan, is for student actors to develop critical thinking.
Collaboration among University of Notre Dame faculty and students, Sedlack Design Associates, and Notre Dame’s Center for Social Concerns has resulted in a $50,000 Sappi Ideas that Matter grant to together+, a campaign to combat xenophobia in South Africa.
Some may look at Dante’s Divine Comedy and see just a dusty trilogy of poetry written by a long-gone Florentine. But for others, Dante and his opus are immortal. For them, Dante is now. In that spirit, Italian Studies at Notre Dame and the College of Arts and Letters’ William and Katherine Devers Program in Dante Studies will host “Dante Now!”—a series of public readings from The Divine Comedy. Readings will occur simultaneously at various locations around campus on November 2, beginning at 2 p.m.
With a $400,000 grant from the Andrew W. Mellon Foundation, the University of Notre Dame announces the launch of the Sacred Music Drama Project, a four-year, cross-disciplinary initiative designed to engage people more deeply with the power of shared creativity, performance, and scholarship. The project will draw on humanistic, artistic, and sacred topics from a variety of musical traditions to develop new coursework and to stage the production of a major dramatic performance each year. The Mellon grant will also bring both eminent and emerging guest artists to campus and will fund the commission of a new work of sacred music drama at the end of the project.
Together+, a campaign to combat xenophobia in South Africa by providing educational resources to empower people to embrace diversity, has been awarded a $50,000 Sappi Ideas that Matter grant. After a year of research, development, refinement, and two trips to Johannesburg, the grant will enable the together+ team to produce and distribute the first round of materials designed by students from the University of Notre Dame’s graphic design program in the Department of Art, Art History, and Design.
More than 100 musicians gathered last week on the campus of the University of Notre Dame for its inaugural Sacred Music Conference.
As a documentary filmmaker, a faculty member in College of Arts and Letters’ Department of Film, Television, and Theatre (FTT), and a producer for Fighting Irish Digital Media, Ted Mandell ’86 quite literally sheds light on the University of Notre Dame’s traditions of social justice and student athletics. What unites his approach to these roles, says Mandell, is a commitment to show the human side of every story—and help his students learn to do the same.
When Kathleen Bracke got the call, she dropped the phone out of shock, then picked it up and asked the caller to repeat the news. On the other end was a representative of the Princess Grace Foundation-USA announcing that Bracke had won a 2012 Princess Grace Award. Bracke, a senior in the University of Notre Dame’s Department of Film, Television, and Theatre (FTT) is one of only two winners of this year’s Princess Grace Undergraduate Film Scholarship.
Actors From The London Stage (AFTLS), a self-directed ensemble of five professional British actors, will present William Shakespeare’s comedy The Merchant of Venice in historic Washington Hall on the University of Notre Dame’s campus at 7:30 p.m., September 12-14 (Wednesday-Friday).
The University of Notre Dame’s inaugural Sacred Music Conference will be held Thursday through Saturday (September 13 through 15). The conference will feature sacred music from the Renaissance to the present day and will bring together composers, scholars, and conductors of sacred music to discuss, share, and perform their work. Several concert events are open to the public and free of charge.